![]() ![]() Frankie becomes jealous and escalates the dally with Ava. Eric threatens Sutwell, but Sutwell uses a mystery feel technique to paralyze him he and Dolores scat.ĭolores develops a puppy love on the professor. Eric refuses to let Dolores go, despite her repeat direct demands to release her, until professor Sutwell intervenes. Upset by his chat up, Dolores incidentally stumbles into the lick of Eric Von Zipper, the leader of the local outlaw motorcycle cabaret, The Rats. ![]() Frankie, on the advice of his friends, decides to begin flirting with Ava, a hungarian waitress at the local restaurant. meanwhile, an anthropologist, Professor Robert Orville Sutwell, is staying at the beach house following door, secretly studying the “ wild checkmate habits ” of Southern California teenagers who hang out at the beach and address in foreign surfing slang. Frankie is intensely upset at finding other people at the beach house and feels betrayed that Dolores misled him. however, disgruntled with her relationship and unwilling to be alone with Frankie, Dolores has invited several of the couple ‘s friends to stay at the beach house with them. plot įrankie and Dolores are two unseasoned lovebirds heading to the beach for what Frankie assumes is a private romantic pickup. This film is much credited with creating the beach party film music genre. In all, 28 Weeks Later improves upon 'Days' scares, story, characters, and plot to make for one exciting entry in the horror/sci-fi/drama genre.Beach Party is a 1963 American film and the foremost of seven beach party films from american english International Pictures ( AIP ) aimed at a adolescent audience. And when you can't see where the terror is coming from in a horror film than you're in for something special. With a horror film, you expect there to be an ample amount of deaths, but the way in which Juan Carlos Fresnadillo directs the deaths is terrifyingly unexpected. Yeah, I'm looking at you every other horror film, it's cool to make them run.īut perhaps the biggest compliment I can give to the film is its utterly unpredictable. Adding to that experience are running zombies. That could lead to pacing and character issues, but with a non-stop action-horror, it actually works to the benefit of the experience. That partly because it's only 100 minutes long, but mostly because the film never takes a breath. All of which, do a wonderful job in roles that aren't necessarily flushed out. Not only do you have some nice lead turns from Robert Carlyle and Catherine McCormack, but you have Idris Elba, Rose Byrne, Jeremy Renner, and Imogen Poots before they became famous. I also found the cast to be quite impressive. So, in that way I like what the film tried to do. Usually we either see everything as the apocalypse is going down, or maybe several years later. Implausible probably, but we've never really seen an apocalyptic series that attempts to go back and restart civilization from the same area. Of course, apparently it was a good idea for the military to reoccupy London and start building up a civilization again, even though it was the center of disaster only a half a year earlier. 28 Weeks Later picks up after London is deemed safe and virus free, as the undead have starved to death after the events of the previous film. ![]() Similar to how the Cloverfield films are related but not directly tied in, 28 Days Later is a prequel of sorts, but the characters and plot are entirely different. There's something so glorious about seeing the streets of London be a wasteland that only occupies a select few living and undead. But there's something about the '28' series that really hits well for me. The 21st century has been flooded with films and TV shows about zombie apocalypses, so it's difficult for any of them to stand out and feel completely fresh. ![]()
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